Guest Post: Lisa Gail Green Shares Tips on Writing Short Stories

Hoping to flex your writing skills this month for NaNoWriMo, but intimidated by the prospect of churning out an entire novel? Why not challenge yourself with a short story instead?

Author Lisa Gail Green, whose short stories have been published in all three Journeys of Wonder anthologies, and whose paranormal fantasy novel, THE BINDING STONE, debuted this year, is here to tell you how.

Take it away, Lisa, and thanks for stopping by my blog!

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Thank you for inviting me to your blog, Sarah! *Puts feet up on sofa* You’re wondering what it’s like writing short fiction versus a novel length manuscript? The short answer is – not too much.

• You still have to use a full (albeit probably simple) story arc.
• You still have to revise like crazy until it’s as perfect as you can get it.
• You’re still responsible for developing your character as well. No shortcuts just because it’s only a thousand words long. 

What’s different in a short story?

•         You can’t have more than a few characters. Too many take too much space and you won’t be able to do them justice. It’s best to stick to your main character and one or two extra characters that he/she interacts with. Then you have room to work with.
•         You have to get to the point. You can’t spend pages going on about the décor. You really have to pick and choose when it comes to description and use what is important to your character and the story. Don’t forget to filter through your character’s POV.
•          No place for subplots. Can you do it? Well… yes. BUT it’s really, really tricky and I don’t recommend it when you’re starting out. Practice first like with anything else. And any subplot you use should definitely be intertwined with your main storyline.

Now here’s the trick though. All of these elements can be used to tighten your novel. That’s right; short stories are good for writers. They’re another way to stretch your writing muscles and a great exercise. Plus, if you get one or two publication credits by getting a short story or two accepted somewhere then that can go in your bio and can bolster your self-esteem. It’s a win-win situation.

Take a look at the similarities with all that in mind: 

• You get to practice making your characters count. In a novel you have to eliminate and combine non-essentials just like in a short story. And no one should be one-dimensional. 
• You should ALWAYS filter through character and eliminate superfluous description, etc. 
• Your subplots should reflect the theme at the very least and if you can somehow bring them together with the main plot – even better.

The structure of both short stories and novels are the same, though short stories can be difficult in that they limit your space. But that’s the best reason I can think of to encourage everyone to write them.

More Links to Other Places! A Discussion About Choosing Narrators

The gracious Lisa Gail Green invited me to participate in a Q&A at her blog this past Monday.

I answered the question, "Who is the narrator of your story, and how did you decide?"

Find out what I said about 16-year-old Imogen -- a girl skilled in martial arts who is the main character of BRUISED -- and how I knew she was the only possible narrator for this story...

Guest Blog & Giveaway! Novelist Samuel Park ("This Burns My Heart") Discusses His Heroine's Tough Choices

I'm excited to welcome Samuel Park to my blog today. To celebrate the paperback release of his highly acclaimed historical novel, THIS BURNS MY HEART, I'm hosting my first giveaway!

I read HEART in hardcover last year and found it to be gorgeously written, cinematic, and completely absorbing. Samuel graciously agreed to share his thoughts on the book's controversial heroine, Soo Ja, whose unhappy marriage in 1960s South Korea forms the basis of the story. I also asked him to discuss his research methods, since his descriptions and style immersed me in the time period.

Without further ado, take it away, Sam...

Hi Sarah! Thank you so much for having me on your blog. I’m thrilled to be here.

You asked me to write about a character making tough, compelling choices that may be difficult for readers.

I suspect you asked me that question because the heroine of my book, Soo-Ja, makes a seriously bad choice at the beginning of the book. At that point, the reader either throws the book away in frustration, or plunges deep into the narrative, to see how it all turns out. As the author of the book, of course I always hope it’s the latter.

But I like that you asked that because it’s something that often comes up in discussions of the book. A lot of readers, to be honest, disagree with a lot of her choices, and find her maddening. Still, I think that’s what makes her seem human and three-dimensional—we’ve all made terrible choices, and wondered how to make them work. And that’s sort of the theme of the book: the permanence of choice. Are we stuck with the consequences of our choices, or can we find a way to undo them?

To make that work, I think you have to lay the groundwork to make her choice seem plausible. The choice can’t be a clearly bad one. The character has to lack some vital information that the reader has. It has to make it seem like she’s doing the right thing in the situation.

Then, you have to make it clear why she makes the choice, and you have to make it seem practically inevitable. I think this is when human psychology comes in. So often, we do things that are self-defeating, and against our own interests. How many of us have chosen the wrong person to date, or said/did something that sank our prospects at work? I think Soo-Ja is a version of that, but in a grand scale. I think part of the reason Soo-Ja’s story resonates with people is that it’s about a universal theme—disillusionment in marriage. No matter how great the partner you pick is, no matter how terrific your relationship is, the dirty little secret of marriage is that a lot of people find it a bit disappointing. In other words, no matter who you choose, you feel slightly letdown. Soo-Ja’s is just an extreme version of that.

Your second question was about my research methods and integrating real life into a story. I think that balancing the demands of fiction with fidelity to real life can be very tricky. Basically, I took some elements of my mother’s life and fictionalized it. I would create composite characters, or tie together events that actually happened months, or even years apart. I made up a tremendous amount, and the book is certainly a work of the imagination. However, the part where I borrowed the most from real life was in terms of the motivation and the psychology of the characters, as well as the dynamics between different characters.

Also, I think when you borrow from real life, you borrow not just a certain truthfulness that can’t be faked, but also a certain investment in the material that otherwise might not be there. In other words, I ended up investing these characters with some of the same love, curiosity, and interest that I feel for the real life people who inspired them.

Finally, when people talk about research, they usually mean the books and articles they read. But what about the emotional research? The feelings, fears, and anxieties associated with that society, that period, or that country? I tried to really pay attention to how I felt emotionally about the locations and situations I was writing about, as ultimately the emotional truth gives the reader a much more fulfilling experience than when you just focus on getting facts right.

Thanks again for hosting me on your blog, Sarah! It’s been a pleasure! And I wish the best to everyone who is entering the giveaway!  

Originally born in Sao Paulo, Brazil, Korean-American author Samuel Park is the author of THIS BURNS MY HEART, which was chosen as one of Amazon’s Best Books of 2011, a People magazine “Great Reads in Fiction,” and one of the Today Show’s “Favorite Things.” THIS BURNS MY HEART was also a Kirkus Reviews’ Best Fiction of 2011, a BookPage Best Book of 2011, and an Indie Next List Notable Book.

THIS BURNS MY HEART is just out on paperback and is going to be a Starbucks Bookish Reading Club selection starting the week of March 13. The promotion allows Starbucks customers to read the book for free for 2 weeks when signed into the Starbucks Digital Network at the stores. The book is also going to be in the Target Emerging authors program.

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Intrigued? Enter my giveaway to win a copy of this terrific book. Simply comment below, stating you'd like to enter the contest, and -- if you're so inclined -- please tell me the title and author of your favorite historical novel.

I'll pick a winner out of a virtual hat next Thursday and mail him or her a copy of THIS BURNS MY HEART (international shipping is fine, too).

Good luck!